Maybe We Can Try Again George West Az Lyrics Meaning
Blues rock fable George Thorogood is calling from…somewhere. "I've sworn an oath to the regime not to give the whereabouts of my location," he says amiably. "You know how it is. When you're a fugitive from injustice, you've got to exist careful." In conversation, he is just as jovial and derisive as he often comes across in hits such every bit "Bad to the Bone," "One Bourbon, One Scotch, One Beer," and "I Potable Alone."
Thorogood is more forthcoming when talking well-nigh the latest George Thorogood and the Destroyers release, a reissue of Alive in Boston, 1982 via Craft Recordings. It starting time came out in 2010, just this time around, information technology's expanded to included all of the songs that the band performed that evening, along with Thorogood'southward amiable between-vocal patter.
The palpable energy captured on this album, Thorogood says, is partially due to the fact that the prove was recorded at the Bradford Ballroom in the band'southward then-hometown of Boston. "That surface area was known equally the combat zone," he says of the venue's location. "Information technology was very dangerous. You had to really watch yourself. If you went downwards at that place and you said to the police force something happened, they'd say, 'Well, if yous're impaired enough to get to the combat zone, nosotros tin't help you.'" Thorogood says it meant a lot that audiences still showed up despite the take a chance. "We played at that room more than than a few times. That gave the states a little bit of an extra push."
Of course, the loftier-energy songs that Thorogood and his band played were probably an even bigger gene in that evidence's success. Past that concert, Thorogood had already led the Destroyers to significant nautical chart success, with their signature hit, "Bad to the Bone," soaring upward the charts that aforementioned year.
Looking back on that time, Thorogood recalls how he went about his songwriting process. "My full general way of doing it was, I'd have to spend a lot of time solitary with no distractions," he says. "I would generally go up in the forenoon – or afternoon or any – and work on a song and go some practice, and then go bowling lonely, and I'd come up abode alone. Then that night I'd go out and see a band. But checking things out and letting the ideas menstruum. And then come domicile and work on the song some more.
"I'd exist banging on the guitar and a lick would happen. I put some words around information technology or I'd have an interesting title and try to make some music to it," Thorogood continues. "At that place'south all unlike ways to approach this. You tin can put together a song in two hours, or you can spend a whole month on it."
Likewise his ain original songs, Thorogood is also known every bit a particularly memorable interpreter of other artists' songs. His versions of "Who Do You Honey?" (past Bo Diddly), "Movement It On Over" (Hank Williams), "My Way" (Eddie Cochran), and "Nobody Simply Me" (The Isley Brothers), among others, take become as famous as the originals (and in some cases, even more so). Thorogood says fans' reactions take oft guided the decisions on which songs to perform and record.
"After you do a couple of albums and yous go that under your belt, and you play live night after nighttime afterward dark, you lot become a sense of what your audience enjoys hearing," Thorogood says, "so nosotros would select songs or write songs according to the taste of the Destroyers fans. It's not unlike having a eating house: you accept steady customers, and yous put something new on the carte du jour you think they would like."
As for why Thorogood has never strayed from his dejection rock style, he says with a laugh, "It's easy: I can't play anything else! George Thorogood knows two songs, and about a hundred variations of those ii songs." He does have a more serious reply well-nigh what attracted him to playing blues in the first place, though: "I dug it. There are certain areas of information technology that I adjusted to very quickly. John Lee Hooker manner of guitar and the slide guitar of Elmore James. And I also know a lot of Robert Johnson. John Hammond was a big influence, too. I just thought that was a natural manner to go."
Thorogood admits he only got serious about a career in music when he was already a couple of years out of high school – and he did then at his parents' urging. "They came up and said one word to me: 'When?'" he says. "They meant to say, 'When are you going to do this, George? Information technology'due south all you talk nearly. You dress like a stone star. You slumber 'til four in the afternoon like a rock star. Y'all may as well exit and be one – but y'all can't just lay on the couch all the time dreaming of information technology.'
Thorogood put together his band, the Delaware Destroyers (later shortened to the Destroyers) in the mid-'70s, and they found their footing after relocating to Boston later in that decade. Their debut album, George Thorogood and the Destroyers, came out in 1977 and gave them their first hit single with "One Bourbon, One Scotch, I Beer." Their next album, 1978'southward Motility It On Over, was just every bit successful thanks to the title track. They continued this momentum with subsequent releases, finally gaining international distinction 1982 with "Bad to the Bone" (the title track from their fifth anthology). In all, they've released 15 studio albums (and Thorogood also released a solo album, Party of One, in 2017).
By at present, many George Thorogood and the Destroyers songs take get cultural touchstones that audiences expect to hear at every evidence the band plays. Thorogood says he doesn't mind performing them again and once again, though, considering "Nosotros play for a unlike audience every nighttime. That'due south the excitement of it. There could be somebody out there who'due south never heard united states alive or never will hear us again, then that'due south the inspiration of laying information technology on them," he says. "And if they dig information technology, I can't observe a bigger blitz than that. I mean, come up on, y'all walk out in that location [and] maybe there's fifteen hundred people and they're digging the hell out of what you lot're doing. Who could enquire for more than that?"
Thorogood and his band are known for touring relentlessly throughout the by four decades – so beingness forced off the route due to the COVID-xix pandemic is an abrupt shift for them. Thorogood takes it in stride, though. He says he'southward spending this time "But doing what I commonly do. The pandemic has not actually interfered with my lifestyle that much because when I'm not working, I'm basically just exercising, playing my guitar, staying out of everybody'southward way. So I try to stick with that. That way, I tin can stay out of trouble, you know."
Keeping a positive mental attitude – in life, as well as in his music – is something that Thorogood says he does deliberately. "My thing is based on pleasure," he says. "Pleasure I share with the earth. Pain I continue to myself. I await at it this way – people say, 'How are you lot doing, George?' And I go, 'Well, I'm not in prison and I'1000 not in a hospital with a stick in my eye!' I just cheque out the basics. Equally long as those functions are in that location, then anything on top of that is a bonus."
Check out the review of the new, Live anthology.
Source: https://americansongwriter.com/live-in-boston-george-thorogood-album-interview/
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